In the Dutch Republic in 1672, a wealthy man named Cornelius Van Baerle devotes his life to growing tulips, unaware of his family's close involvement with political intrigue.

法国大革命时期，传奇侠客“黑郁金香”（阿兰·德隆饰）劫富济贫让贵族们日日惶恐不安。“黑郁金香”以蒙面示人，真实身份其实是吉尧姆伯爵，为民请命其实是为了一己私欲。警察局长设下圈套引他现身，混战中刺伤了他的左脸，留下一道疤痕，这就成了抓捕“黑郁金香”的有力证据，全城搜捕。为避免身份暴露，吉尧姆伯爵不得已找来自己的孪生弟弟朱利安（阿兰·德隆饰）顶替自己参加政治会议。朱利安不屑哥哥的所作所为，于是他以“黑郁金香”的名义挺身而出，跟随民众一起战斗。但在一次战斗中朱利安失手被抓，身处绝境。吉尧姆伯爵终于良心发现，舍命营救却也不幸被捕。就在马上要处决吉尧姆伯爵的生死关头，“黑郁金香”再次出现，谱写了正义之士的英雄神话。

In this 2003 remake of the classic 1952 French film, Fanfan la Tulipe is a swashbuckling lover who is tricked into joining the army of King Louis XV by Adeline La Franchise, who tells Fanfan that by doing so, he will eventually marry one of the king's daughters

An artist falls for a married young woman while he's commissioned to paint her portrait. The two invest in the risky tulip market in hopes to build a future together.

A Japanese woman visits Gongju to find a Korean man she had a crush on but doesn’t remember what he looks like exactly. A Korean man encounters a Japanese woman who looks just like an old Japanese movie star he has been obsessed with. They meet between accident and fate.

Just in time for the elections, Lewis Black returns to take on Donald Trump and Hillary Clinton.

Just in time for the elections, Lewis Black returns to take on Donald Trump and Hillary Clinton.

Paul and Jennifer Hemdale have just moved into their dream house. But their happy marriage is about to be put to the test as they slowly discover the secret behind the black room in the cellar. Something else is already living in their new home and it is growing stronger every day.

“In The Black Tower we enter the world of a man haunted by a tower which, he believes, is following him around London. While the character of the central protagonist is indicated only by a narrative voice-over which takes us from unease to breakdown to mysterious death, the images, meticulously controlled and articulated, deliver a series of colour coded puzzles, jokes and puns which pull the viewer into a mind-teasing engagement. Smith’s assurance and skill as a filmmaker undercuts the notion of the avant-garde as dry, unprofessional and dull and in The Black Tower we have an example of a film which plays with the emotions as well as the language of film.” 　　----Nik Houghton, Independent Media 1987

“In The Black Tower we enter the world of a man haunted by a tower which, he believes, is following him around London. While the character of the central protagonist is indicated only by a narrative voice-over which takes us from unease to breakdown to mysterious death, the images, meticulously controlled and articulated, deliver a series of colour coded puzzles, jokes and puns which pull the viewer into a mind-teasing engagement. Smith’s assurance and skill as a filmmaker undercuts the notion of the avant-garde as dry, unprofessional and dull and in The Black Tower we have an example of a film which plays with the emotions as well as the language of film.” 　　----Nik Houghton, Independent Media 1987